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They sit in a circle, beat loudly on one drum, and sing.
The singing is a fast sophisticated syncopated yodeling. Though they had never played with classical instruments they were game for joining the orchestra.
While Shiro’s partner is being killed by a Singapore-bound drug lord named Havlock (Lewis Van Bergen), Shiro is having dinner with his girlfriend, Jen (Robin Evans), who’s telling her lover how she “has him all to [herself] tonight” and intends to make the most of it.
Wooden dialogue aside, the scene is unwittingly distilled to its most archetypal elements, with man in suit (Kosugi) spoiling woman in pearls (Jen).
With Teddy Abrams I circled the rim looking for the perfect spot for the performance.was commissioned by the Britt Music & Arts Festival in celebration of the 2016 National Park Service centennial.Writing the piece took me on a journey through Crater Lake National Park at the height of summer and dead of winter, and to Chiloquin, Oregon to work with the members of the Klamath Tribe’s Steiger Butte Drum.The film is more intriguing within the context of its production, as Trans World Entertainment clearly made it as their effort to create a 007-type franchise for Kosugi as a cop proficient in martial arts.That’s hardly a distinct premise, but is nevertheless a curious moment in failed franchise filmmaking, as it becomes difficult to watch the film without thinking about Kosugi being Japanese and that he’s being placed within a story that, aside from a single exchange, makes no recognition of it.
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